Вступление
[Alternate Db is used in second part, as a slide from G#.]
x688xx - D#
x466xx - Db (91111xxx) Pretty Machines - Parkay Quarts(Parquet Courts)
466xxx - G# Content Nausea - 2014
688xxx - A#
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
( D# - Db - G# - D# - ) x2
D# Db G# D#
Ah moonlight, it's hard to believe it, and it's harder to need it but so easily wanted
Db
Pretty machines, expensive magazines, I've been tricked into buying quite a number of things yeah;
G# D#
Bullshit and dreams, urban ease, it means, I always leave taunted
A#
And, you think you're a modern person, you think that you can ignore
G#
silent isolation. My emancipation's in the same place you get yours
D# A# G# Db G# (D#)
Oh whiskey sipped supinely while my secrets escape. In the skyline of hell there are no fire escapes.
( D# - Db - G# - D# - ) x1
D# Db G# D#
Punk songs, I thought that they were different and I thought that they could end it. No, no it was a deception.
Db
Well the number of tears, and the number of beers were dried out and uncounted for a number of years, but
G# D#
these days it seems that my window was just a reflection.
A#
Still, you think that you're not a servant, you think that you can avoid
G#
stylish institution, worshiping illusion. Things you thought you could destroy.
D# A# G# Db G# (D#)
Oh, crowded, loud and crimson was my view from the pit. I was wild, I was weird, I was shackled to it.
~Solo bit~
( D# - Db - G# - D# - ) x2
( A# - G# - ) x1
D# Db G# D#
Wartime, it's so easy the fourth time, but on this side of the shoreline we've already recovered.
Db
Pretty machines, expensive routines, are clouding and obstructing quite a number of things.
G# D#
Believe me, it's harder to feel these days. It's harder to suffer.
A#
And, you think you're a modern person, think you can watch something change
G#
and move on without ya. Side by side with doubt ya listen to the world exchange
D# A# G# Db G# D#
conversation starters over various meats in the skyline of hell, where the tired retreat.
( D# - Db - G# - D# - ) x1
Let these chords ring
( A# - Db - G# - ) x1
Also here's an interpretation of the lead riff:
e|6-8-9-8-6-------6-8-9-8-6-------------------------6---------------------6---8-----------6---8---|
B|------------8---------------8---8-9-8-9-8-------8---8-9-8---------6-8-9---------9-6-8-9---------|
G|--------------------------------------------6---------------6---6-------------------------------|
D|------------------------------------------------------------------------------------------------|
A|------------------------------------------------------------------------------------------------|
E|------------------------------------------------------------------------------------------------|
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