Robert Wyatt — A Sunday In Madrid

    	    	Вступление

[Intro]

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G|------------0-----0----|------------0-----0----|------------0-----0----|------------0-----0----|
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A|------3>---------------|------3>---------------|------3>---------------|------3>---------------|
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  1  &  2  &  3  &  4  &  1  &  2  &  3  &  4  &  1  &  2  &  3  &  4  &  1  &  2  &  3  &  4  &

[Verse 1]

C/G*
Pa arrives in the city of the closed doors
C/G*
Greeted by miners from Asturias
    C/G*
His limousine streaks past giant shiny moneyboxes
C/G*
Huddled together fo---r warmth
        G*                           G*    G*    G*
He is deposited in his inner chambe---r

[Verse 2]

C/G*                                      C/G*
 Later, Pa meets the bear, impersonates a tree
                                           C/G*
To confuse the hell's gates dogs' sense of smell
                            C/G*
And rests for chess with no-o---ne
G*
Then (amongst the closed doors) he shrinks
   G*
Is dwarfed by rabbits, expands again
     G*                                      G*
To invade the destiny of fourteen mysterious others
                  C/G*
Strangely clad, - captured by a camera
                    C/G*
Carefully arranged, with a space for his image
       C/G*           C/G*    C/G*
A plot hatched by fate

[Verse 3]

G*
 Pa looks for diversion in the written wo-rd
G*                                            G*
 Meanwhile, the mundane world seeks solace in illusion
                                    G*
An imprisoned rainbow gives shelter to the homeless
                  C/G*
A painted machine registers the weight of mystery
             C/G*
And for background interest a kilometre of women queue
C/G*
 To kiss a wooden foot, patiently
C/G*
The Queen had been
G*
 But no information, in the city of the closed doors
G*                 G*    G*
 On Christian Spain

[Verse 4]

C/G*
 Elsewhere, bare buttocks wait their turn
C/G*                              C/G*
In vain. No guides available. All busy in the Prado
                          C/G*
Followed by shuffling feet. Fascinated. Perhaps
G*
 Outside again in the mundane world
G*
In the city of the closed doors
           G*
Living men impersonate sleeping saints
      G*
On sundry raised surfaces, (like benches)
C/G*
 Art objects seat beadless (beneath coats)
C/G*                                  C/G*
 Performance artists simulate poverty a---nd beg
                     C/G*
A day's begging pays for the entrance fee
                           G*
To the Cinema of Terror. A golden gas mask
                            G*
Throw the torturers off the trail, amongst
                                    G*             G*
The grazed walls of the city of the closed do---ors

[Verse 5]

C/G*
 Pa escapes
                        C/G*
Samples the delights of raw fish, good wine
C/G*
 Closes the door of his inner chamber
C/G*                                       G*    G*    G*    G*
 Closes the door of his inner chamber, and sle-----------------eps

[Outro]

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|G*      |G*      |G*      |G*		
    

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